Texturina
serif · Designed by Guillermo Torres, Omnibus-Type
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Texturina is a serif typeface with a distinctly historical flavor, drawing on blackletter and old-style Roman influences while remaining more legible than a strict blackletter font. Its letterforms carry visible calligraphic strokes with slightly irregular edges that give it a handcrafted, aged quality. It works across a range of weights, from lighter optical sizes that feel refined and editorial to heavier weights that read as bold and declarative. The personality is rooted and traditional without feeling stiff, sitting somewhere between a literary typeface and a display face with character.
In practice, Texturina suits projects that want to communicate craft, heritage, or authenticity without resorting to clichés. It works well for brewery or distillery branding where a sense of history and quality matters. It fits editorial and publishing contexts, particularly for literary magazines, book covers, or longform article headers where a distinctive serif adds voice without overwhelming the content. It also performs well in restaurant or hospitality branding, especially for menus and signage where a traditional yet legible serif builds atmosphere at a glance.
Best suited for: Consider Texturina for editorial layouts, book design, heritage branding, and hospitality contexts where a historically-informed serif adds distinctive character while maintaining readable body text.
Design considerations: The extensive weight range from 100 to 900, plus matching italics, supports flexible typographic hierarchies across editorial and display applications. Its calligraphic irregularity and aged quality work best when paired with generous spacing and sufficient scale to preserve legibility in longer passages.
Pairing guidance: Pair Texturina's textured serif with Playfair Display for high-contrast editorial layouts where display needs dramatic presence, Source Serif 4 for refined body text and secondary hierarchy that shares serif warmth without competing for attention, and DM Mono for technical content or data-heavy sections that benefit from systematic contrast.
Pairs well with
Texturina at a glance
Guillermo Torres, Omnibus-Type
SIL Open Font License 1.1
October 2020
September 2025
18 (9 weights + italics)
Yes: optical size 12–72, weight 100–900
Serif · Display
3
Google Fonts
All 18 Texturina styles
| Weight | Name | Upright | Italic |
|---|---|---|---|
| 100 | Thin | Aa Bb Gg 123 | Aa Bb Gg 123 |
| 200 | ExtraLight | Aa Bb Gg 123 | Aa Bb Gg 123 |
| 300 | Light | Aa Bb Gg 123 | Aa Bb Gg 123 |
| 400 | Regular | Aa Bb Gg 123 | Aa Bb Gg 123 |
| 500 | Medium | Aa Bb Gg 123 | Aa Bb Gg 123 |
| 600 | SemiBold | Aa Bb Gg 123 | Aa Bb Gg 123 |
| 700 | Bold | Aa Bb Gg 123 | Aa Bb Gg 123 |
| 800 | ExtraBold | Aa Bb Gg 123 | Aa Bb Gg 123 |
| 900 | Black | Aa Bb Gg 123 | Aa Bb Gg 123 |
Texturina character map
Which languages does Texturina support?
Texturina includes 3 character sets:
- Latin: English, Spanish, French, German, Italian, Portuguese and other Western European languages
- Latin Extended: Central and Eastern European languages such as Polish, Czech, Turkish, Romanian and Hungarian
- Vietnamese: Vietnamese, including its stacked tone marks
It does not include Cyrillic or Greek characters, so it can't set Russian, Ukrainian or Greek text.
Can I use Texturina commercially?
Yes, it's free for personal and commercial use. Texturina is released under the SIL Open Font License 1.1. You can use it in logos, websites, apps, videos, printed products and merchandise without paying or asking permission. The one thing you can't do is sell the font file on its own.